University Of East Anglia Creative Writing Reading ListMA Creative Writing Prose Fiction Postgraduate Study - UEA
The Creative Writing (Prose Fiction) MA at UEA is the longest-running in the UK and ... Your work will be read and commented upon by faculty members around 16 times ... a carpenter, a fashion buyer, a police officer, a nurse – the list goes on .
University Of East Anglia Creative Writing Reading List
And what he has said has been well worth the thousand years of waiting. We will explore dantes response to virgils poem in the divine comedy alongside those of augustine and chaucer we read medieval romance reworkings of virgils classical epic and we consider the variety of ways in which medieval writers looked to continue the aeneid in their own distinctive ways. How the legend has been translated across form, genres, cultures and ages will be studied through creative and critical exercises, including examples from middle english arthurian manuscripts, translations of the welsh mabinogion, of monmouths latin chronicle and french romance texts.
Module content is organised around notions of space and place, thereby enabling engagement with issues including globalisationthe global national media and media systems regional and local media community and grassroots media, domestic and personal media. This module will suit you if you enjoy the challenges of literary theory and politics, and are interested in thinking seriously about the relationship between literature and its real world applications and significance. These include theory and practice of fiction the art of short fiction poetics, writing, language fiction after modernism ludic literature and the writing of crimethriller fiction.
The module allows students an opportunity to write a substantial short story (approximately 6000 words) or drama script (60 pages) or collection of poems (15-20 pages) and to develop an understanding of their own motivations, influences and processes through the production of a reflective self-commentary (2000 words). Youll have the opportunity to read and analyse some of the most influential feminist literary texts and literary theory. Our aim is to encourage you to analyse how hollywood works as an industry, the kind of films it produces, and the ways in which they are consumed by domestic and global audiences.
You are offered insight into how the discipline of television studies has developed, as well as how television itself has developed - in terms of social roles, political functions and aesthetic form. Writers and texts might include kathy acker, william burroughs, elias khoury, dana spiotta, jennifer egan, along with punk zines, samizdat writing and manifestoes. Using contemporary sources, you will learn to handle evidence and reconstruct the worldview of people who lived over a thousand years ago.
Does this make the work of a reader radical, or how can that work be radicalised? Taking a lead from the thinking of gilles deleuze and felix guattari, youll ask what it means to write or speak a dominant language in such a way that it stutters or stammers? What would such writing or speaking look or sound like? Deleuze and guattari suggest that minor literature (minoritarian form in general) takes a dominant, hegemonic, major language and forces it to say something different, and to do so differently, dislocating (deterritorialising) it so that a new voice (speaking from a new constituency) can be heard. Upon successfully completion of this module, you will have achieved a higher-intermediate level of spanish. Youll have the opportunity to respond to these questions in critical andor creative forms of assessment.
It then proceeds to consider how political institutions such as the executive, legislature and the degree of decentralisation vary - and the effects that this has. Is all creative writing really a form of re-writing? And can creative writing itself be a form of literary criticism? From virgils imperialist taming of homer, to helen fieldings homage to jane austen by way of bridget jones, writers have always engaged their literary predecessors in ways that claim new imaginative and critical space. It can articulate dangerous and disturbing transgressions against society (the crime) while also revealing the ideological forces of law (what constitutes a crime) order (the various detective figures) and the systems of justice and ill-justice (courts and punishment, state and government) with which a society protects and proscribes itself. The module focuses on fiction published in the uk and ireland in the last ten years, with a particular focus on more inventive writing. Youll have gained a wider literary perspective and reading in translation will have made you think in new ways about your own language too.
BA English Literature with Creative Writing Undergraduate ... - UEA
You're able to draw on the wealth of literature you've been reading to inspire ... The teaching of creative writing in the UK began at UEA nearly fifty years ago, ...
University Of East Anglia Creative Writing Reading ListUEA English Lit and Creative Writing reading list? - The Student Room
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Uea Creative Writing Ma Reading List – 109941 | Journal Paysan Breton
We will challenge the formalist distinction between experimental and realist fiction that has dominated the most influential work on the mid-century novel, and which has also stamped many post-war writers as irretrievably minor. This module will suit you if you enjoy the challenges of literary theory and politics, and are interested in thinking seriously about the relationship between literature and its real world applications and significance. The course will provide you with a bridge between the study of creative strategies at undergraduate level and the study of writing as a professional activity encouraged at ma level. Your main objective in this module will be to develop your critical skills as they pertain to thinking, reading, writing and looking. Genre theories are explored through a range of case studies drawn from one or more of a range of popular american film genres including the western, science-fiction, melodrama, romantic comedy, the road movie, the buddy movie, film noir, the gangster film, the war film and actionadventure film.
In the second half the emphasis shifts to constructive group discussion of your own work, alongside your peers, in a workshop setting. This module provides you with critical and creative knowledge of modern crimethriller fiction, and is designed to complement the creative writing ma programme. If you are interested in the strangenesses of literature, in the workings of institutions, in democracy and the freedom to say everything - and if you are prepared to read and think hard - then this is the module for you. Its practical aspect consists of an adaptation for the stage of a literary text, which you can freely choose and test by workshop performance, with the theoretical aspect consisting of attempts to define the narrative modes of the epic, the lyric and the dramatic, with the dramatic further dividing into tragedy and comedy. Through this module, you will encounter the largest, most dynamic city in the wealthiest and most populous nation in eighteenth-century europe.
Youll investigate the workings of the late seventeenth- and early eighteenth-century booktrade under three interconnected headings bookselling (key publishers, such as bernard lintott, jacob tonson, and edmund curll, alongside trade publishers such as morphew and roberts) writers and writing (a variety of authors, such as delarivier manley, elizabeth rowe, mary wortley montague, john dryden, alexander pope, jonathan swift, daniel defoe, and more obscure hack writers) and reading (kinds of circulation, from the manuscript, to subscription publication, to the lending library). How do you assemble facts so that the resulting story is as compelling as fiction? What clothes can the non-fiction writer steal from the novelists wardrobe? Throughout the module youll read different types of non-fiction and think about how individual authors weave their research material into narrative form. With this close attention to reading at its core, the module will also look at a number of the terms and ideas central to the study of literature and to the practice of interpretation. Youll read works by borges, cortazar, bolano, juan gabriel vasquez, clarice lispector, alejandra pizarnik, valeria luiselli, amongst others. It is the place where the tell-all memoir meets critical theory, and the place from which writers talked about their own desires and their own experiences in order to challenge the status quo. You will examine the development of art and architecture in the city from its earliest foundations through to the present day, tracing the aesthetic and urban history of what its inhabitants came to call andquotla serenissima,andquot the most serene city on earth. Authors we study include famous figures such as ben jonson, andrew marvell, and john milton (including a look at his masterpiece, paradise lost), as well as many lesser-known writers, including women such as lucy hutchinson and hester pulter. On the critical side, the module traces the evolution of leading postmodernist styles and themes, especially ludic ones, back to their origins in dostoevsky, joyce, kafka, borges, and nabokov. Each member of staff at uea dedicates specific hours each week to one-to-one meetings with students, when you can come and seek additional advice and feedback. Youll develop and improve your expressive and technical skills in writing poetry, and be encouraged to improve analytical awareness of both the craft elements and the wider contexts of writing poetry, and also to improve students abilities as editors and critics of their own and other peoples writing..University of East Anglia – Official SiteOfficial site with information about courses, careers, research, and student life.Uea creative writing ma reading list – JDC ...